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EQUIPMENT

CAMERA
/ RED HELIUM 8K
/ RED TOUCH LCD 7''
/ RED EVF OLED
/ INCL. DIV MINIMAGS
/ INCL. PL + EF
/ INCL. ALL OLPF
/
LENSES
/ ARRI/ZEISS STANDARD SPEEDS T2.1
/ 12MM / 16MM / 20MM
/ 24MM / 32MM / 40MM
/ 50MM / 85MM / 135MM
ACCESSOIRES
/ SEKONIC C-800 SPECTROMETER
/ BRIGHT TANGERINE MISFIT KICK
/ SAFE FRAMES, TILT & SWING AWAY

/ PDMOVIE LIVE AIR3 SMART
/ IRND .3/.6/.9 & 1/8 PRO MIST
/ LINDSEY 1STOP ROTA POL
/ 4x EARTEC ULTRALITE
/

As a passionate cinematographer, I offer rental services for my carefully curated equipment, perfect for bringing your special projects to life. With a deep love for my gear, I ensure each piece is meticulously maintained to deliver exceptional results for your productions. Just get in touch, and together we’ll find a suitable setup for your needs.

LENSES

The Standard Speeds are the perfect complement to modern hi-res cameras like the RED Helium. Unlike many modern lenses, these predecessors to the Arri Ultra Primes have regained popularity in digital cinematography, boasting credits in films like Fargo (Roger Deakins), Monster’s Ball (Roberto Schaefer), and Fear and Loathing in Las Vegas (Nicola Pecorini). They are incredibly compact, lightweight, and exude a timeless blend of vintage and modern aesthetics. These lenses delicately soften digital images without compromising their sharpness or falling into the trap of appearing old-fashioned. Shooting wide open reveals a beautifully expressive bokeh in the peripheral areas. And let’s not forget the iconic T* coating, beloved by many in Zeiss Superspeeds, which lends these lenses the ability to flare quickly and dramatically when backlighting comes into play.